Disability as Diversity: A Legitimacy Approach
Table of Contents
- Disability as Diversity: A Legitimacy Approach
- Presented by:
- Maine
- Three Interrelated Areas
- Diversity
- What does diversity have to do with disability?
- Looking Backward
- Diversity History in Brief
- Contribution of Nomothetic Inquiry
- The Normal Curve: Normal Man
- Pluralism emerges
- Multiculturalism...
- Three approaches to multiculturalism
- Return to the Current Context
- Why Another Theory?
- Why Another Theory? - 2
- Explanatory Legitimacy Theory
- Diversity is comprised of the three interactive elements:
- Description
- Explanation
- Legitimacy
- Disability
- Why does disability belong within a progressive diversity dialog?
- Applied to disability
- Two intersecting dimensions of Description
- Typical
- Atypical
- Explanation - 2
- Medical Diagnostic
- Constructed
- Legitimacy - 2
- Example #1
- Example #2
- Bodies in Art, Literature, and Technology
- History
- What constitutes a body - 2
- Preceptives of body
- Aztec Royalty
- Moncliffe ------ Loren V
Fashion Models - laRage.com -2005 - L. Ferguson. (2004). Neural network #1 (blue web). From The Visible Skeleton Series.
- Performing artists - ndaf.org
- Victor Hugo. (1936). (original publication date 1831). The Hunchback of Notre-Dame. New York: Dodd, Mead.
- Atypical Bodies in Contemporary Literature and Film
- Prose - Poetry - nfad.org
male in wheelchair with tattoos - Technology
- Chuck Close. Self-Portrait. 1997.
Pixel style portrait - 2004 Ad for Colours Wheelchair
Woman in designer wheelchair - Painter canvas genetic image of woman
www.CartoonStock.com - So why look at art, literature and technology to inform disability?
- Why Change and to What?
- Looking Forward, Not Backward
- Looking Forward, Not Backward - 2
- Post-positivism & post-modernism
- Medicalizing bodies...
- Medicalized & objectified bodies...
- Current responses—make atypical people typical
- Our Vision
- Flatten the Curve
- Flatten the Curve explaination
- Group symmetry
- Inclusion
- Universal
- Homme l'epee ( Swordman) as beauty
Picasso abstract painting - Credits
- Thank You
Text and Images from Slide
Victor Hugo. (1936). (original publication date 1831). The Hunchback of Notre-Dame. New York: Dodd, Mead.
- When this sort of Cyclops appeared on the threshold of the chapel, motionless, squat, almost as broad as high, [the] populace instantly recognized him by his coat, half red and half purple, sprinkled with silver bells, and, more especially, by the perfection of his ugliness, and cried out with one voice: "It is Quasimodo the bell-ringer! It is Quasimodo the hunchback of Notre-Dame! Quasimodo the one-eyed! Quasimodo the bandy-legged! Hurrah! Hurrah!" the poor devil, it seems, had plenty of surnames to choose among.